Who Is Gary Nicholson?

Like so many songwriters, musicians and producers, Gary Nicholson is largely anonymous to the public at large, yet he has played an enormous role in the creation of hundreds of songs and albums. In fact, working as so many Texans do at the intersection of country and blues, he’s collaborated as writer, producer or guitarist for a galaxy of stars ranging from Willie to Garth to Ringo to Buddy Guy to Delbert McClinton and the late, great Guy Clark.

I featured one of his best songs, “Leap of Faith” as recorded by Delbert, in my post titled “Three White Men With (Rhythm and) The Blues” last May. Recently, I came across the same tune as the title track for an album by Seth Walker, a North Carolinian transplanted to Austin. You can probably see where this is going. Please allow me to introduce you to Gary via Seth and Delbert.

Seth Walker – Leap of Faith
and
Seth Walker – Gotta Get Back

Seth Walker is generally labeled as a blues artist, as is Delbert McClinton with whom he apparently connected after moving to Texas. But neither artist is that easy to categorize as their music ranges across R&B, country, folk, pop, New Orleans second-line and wherever their mood and song choices take them. I was previewing Seth’s most recent album, Gotta Get Back, when I learned that his biggest selling album, Leap of Faith, was produced by Gary Nicholson and featured seven songs co-written by the two of them, plus the title song. I fell in love with the range of songs, Seth’s very fine guitar (never overdone) and his expressive yet restrained singing.

He doesn’t go for the big brassy sound that’s associated with Delbert, nor the long guitar solos typical of many bluesmen. Still the album has an impressive array of instruments put to service in stompin’ toe tappers like the opening “Can’t Come With You” and “Somethin Fast,” groovin’ shuffles like “Rewind” and the title tune, soul ballads like “I Got A Song,” the church tinged “Lay Down,” and the semi-country cover of Nick Lowe’s, “Lately I’ve Let Things Slide.” I think this album is going to be in my heavy rotation for quite a while.

There’s a gorgeous fully orchestrated version of Seth and Gary’s “I Got A Song,” which iTunes’s reviewer described as Ray Charles -like.  Here, however,  is Seth with a stripped down version, the unvarnished songwriters’ art.

 

Gotta Get Back has a little less Nicholson influence but as it’s Walker’s newest release, you will want to check it out. It does include five numbers he co-wrote with Gary including the kickoff number, “High Time.”

 

This album is a bit different in that Walker is trying to pay tribute to a number of musical styles which have influenced him over the course of his life. There’s New Orleans with “Fire in the Belly” (funk) and “Way Past Midnight” (second-line), folk with “Home Again,” gospel with “Turn This Thing Around,” pop with “Dreamer” and R&B groove with “Movin’ On.” If I had to pick just on of these albums, I’d go with Leap of Faith. But I’m more than glad to have both.

 

Delbert McClinton – Nothing Personal

Delbert frequently titles his albums with something other than one of the tunes included as he did here. He can also be a bit sly with misdirection. In fact the tone of the album is very personal in several ways: song selection, arrangements, vocal delivery, indeed in overall atmosphere. Gary Nicholson not only co-wrote five of the songs, he also produced this 2001 Grammy winner in the Best Contemporary Blues category. Oh, and he played some fine guitar as here with Delbert on the “Sandy Beaches Cruise” in 2013.

It’s not that the album lacks the barroom blues kickers Delbert’s so well know for – there are several, but by eschewing the big brass section in favor of a smaller combo style, Nicholson gives the entire project more of a small room feel. It doesn’t detract at all from the rockin’ numbers, and it really shows off the more intimate ballads. On Nothing Personal Delbert ironically seems to be singing for you personally rather than shouting to a big honky tonk crowd. Numbers like the south of the border tinged “When Rita Leaves (Rita’s Gone)” – truly one of the greatest can’t-believe-she’s-gone-but-maybe-it’s-for-the-best songs ever written, the classically blue “All There Is Of Me,” and the philosophical “Watchin’ It Rain” take on the intimacy and emotional weight that makes them, in fact, truly personal. There’s not a bad tune in the bunch. Heck there’s even a terrific Texas two stepper. And Delbert and Gary surely hit the jackpot when Garth Brooks and Trisha Yearwood had a big hit with their rollicking co-write “Squeeze Me In.” Obviously, I love this album! And I love this Delbert and Gary collaboration on a beautiful love song, “Don’t Leave Home Without It.”

Gary Nicholson has written too many of Delbert’s songs to count, and he’s played guitar and slide guitar on many others to boot. He’s produced five of Delbert’s albums, two of which won Grammys. Delbert would be great regardless, and Seth Walker would be too. Still there is something about Nicholson’s songs, playing and production that bring out their best. You’ve heard the evidence: the songs I’ve featured from these three albums were each co-written and played by the singer and Gary. The fact that he can do that with two guys born 34 years apart (not to mention all the others with whom he’s collaborated) sends a loud and clear answer to my question, who is Gary Nicholson?  He’s a huge talent, a helluva partner for an artist to have, and the emodiment of the best in Classic CowjazzR&B.  

Here are Gary and Seth showing us what it’s all about on a recent night in Dallas.

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